Background On Burlesque

American Burlesque

American Burlesque is a genre of variety show. Derived from elements of Victorian burlesque, music hall and minstrel shows, burlesque shows in America became popular in the 1860s and evolved to feature ribald comedy and female striptease. By the early 20th century, burlesque in America was presented as a populist blend of satire, performance art, music hall and adult entertainment, featuring striptease and broad comedy acts.[1]
The entertainment was presented often in cabarets and clubs, as well as music halls and theatres. Performers, usually female, often created elaborate tableaux with lush, colorful costumes, mood-appropriate music, and dramatic lighting; novelty acts, such as fire breathing or contortionists, might be added to enhance the impact of their performance.[2] The genre traditionally encompassed a variety of acts: in addition to the striptease artistes, there was some combination of chanson singers, comedians, mime artists, and dancing girls, all delivered in a satiric style with a saucy edge. The striptease element of burlesque became subject to extensive local legislation, leading to a theatrical form that titillated without falling foul of censors.[1] Burlesque gradually lost popularity beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by attempting to recreating the spirit of burlesque in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s.


Victorian burlesque

Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid 19th century. It is a form of musical theatre parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. The term "burlesque" has been used in a literary sense in English since the 17th century.
Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces were staged as extravaganzas. Many of the male roles were played by actresses as breeches roles, purposely to show off their physical charms, and some of the older female roles were taken by male actors.
Originally short, one-act pieces, burlesques were later full-length shows, occupying most or all of an evening's programme. Authors who wrote burlesques included J. R. Planché, H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie.


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